Velazquez (or Velasquez), Diego
Velazquez (or Velasquez), Diego (1599-1660). Spain's greatest
painter was also one of the supreme artists of all time. A master of technique,
highly individual in style, Diego Velasquez may have had a greater influence on
European art than any other painter.
Diego
Rodriguez de Silva Velasquez was born in Seville, Spain, presumably shortly
before his baptism on June 6, 1599. His father was of noble Portuguese descent.
In his teens he studied art with Francisco Pacheco, whose daughter he married.
The young Velasquez once declared, "I would rather be the first painter of
common things than second in higher art. "He learned much from studying
nature. After his marriage at the age of 19, Velasquez went to Madrid. When he
was 24 he painted a portrait of Philip IV, who became his patron.
The
artist made two visits to Italy. On his first, in 1629, he copied masterpieces
in Venice and Rome. He returned to Italy 20 years later and bought many
paintings - by Titian, Tintoretto, and Paolo Veronese - and statuary for the
king's collection.
Except
for these journeys Velasquez lived in Madrid as court painter. His paintings
include landscapes, mythological and religious subjects, and scenes from common
life, called genre pictures. Most of them, however, are portraits of court
notables that rank with the portraits painted by Titian and Anthony Van Dyck.
Duties
of Velasquez 'royal offices also occupied his time. He was eventually made
marshal of the royal household, and as such he was responsible for the royal
quarters and for planning ceremonies.
In
1660 Velasquez had charge of his last and greatest ceremony - the wedding of the
Infanta Maria Theresa to Louis XIV of France. This was a most elaborate affair.
Worn out from these labors, Velasquez contracted a fever from which he died on
August 6.
Velasquez
was called the "noblest and most commanding man among the artists of his
country. "He was a master realist, and no painter has surpassed him in the
ability to seize essential features and fix them on canvas with a few broad,
sure strokes. "His men and women seem to breathe," it has been said;
"his horses are full of action and his dogs of life."
Because
of Velasquez 'great skill in merging color, light, space, rhythm of line, and
mass in such a way that all have equal value, he was known as "the
painter's painter. "Ever since he taught Bartolomй Murillo, Velasquez has
directly or indirectly led painters to make original contributions to the
development of art. Others who have been noticeably influenced by him are
Francisco de Goya, Camille Corot, Gustave Courbet, Edouard Manet, and James
McNeill Whistler. His famous paintings include The Surrender of Breda,
an equestrian portrait of Philip IV, The Spinners, The Maids
of Honor, Pope Innocent X, Christ at Las Meninas
(Maids of Honor)
As
court painter to Philip IV, Velazquez spent a large part of his life recording,
in his cool, detached way, the objective appearance of this rigidly
conventional royal household, with little interpretation but with the keenest
eye for selecting what was important for pictoral expression and with a control
of paint to secure exactly the desired effect. Through acquaintance, while in
Italy, with the work of Caravaggio and through contact with the Spaniard Jusepe
de Ribera (1588-1656), he learned something of the potentialities of a very
limited palette, black and neutrals, as is evident in many of his portraits,
which are subtle harmonies of grays and blacks.
In
painting these royal portraits, whatever interpretation he made or whatever
emotional reaction he experienced he kept to himself. Royalty, courtliness of
the most rigid character was his task to portray, not individual personality.
However, the portrait of Innocent X leads on to suspect that there might have
been more interpretation had the painter been free to express it.
Through
his practice of using pigment as it is used in Maids of Honor, and
Innocent X, in short or long, thin or thick, apparently hasty and
spontaneous but actually most skillfully calculated strokes, Velasquez was a
forerunner of the modern practice or direct painting.
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